A few blocks from the M-I-SS-I-SS-I-PP-I River, somewhere in the upper 9th Ward, I find myself dodging thick, warm raindrops and dipping into BJ’s Lounge, on the corner of nuthin and nuthin. Inside on this stormy New Orleans night, it is absolutely packed with happy locals, standing in clumps, chatting, all along the bar and then just crammed face and ears forward in the long narrow rectangle towards the little stage where the band jams. I grasp a cold Abita beer and fall in at the back of the crowd.
When the seaweed of humanity sways just right, I can see straight across the top to a glimpse of the woman singing on the right. She is young but looks old worldly, and appears to be strumming a stand-up bass. The chatter from the bar behind me is louder than the music ahead of me, so I duck around a banister, as if heading to the bathroom and then swing around a trashcan and plunge a few feet further into the crowd. Now I see the musician in the center: laid back, calmly playing a beautiful little red accordion. I can hear the music now, the chatter dying down behind me. Three women make a line backwards towards the bar and I step into the new pocket of space.
I’m halfway to the stage. I now see the third member of the trio. He’s got one of those little ponytails like in Star Wars and he’s playing the hell out of the fiddle, occasionally swinging a slightly hungry gaze around the crowd. Oh, and the singer on the right is playing the cello, not the stand-up bass.
Fiddle, cello, accordion, the place is thumping! We’re stomping. And they all can sing, first one, then the other, then the other other. We’re bouncing up and down. I move forward still. I’m surrounded by happy music.
That’s Leyla McAlla on the viola, fresh of a tour with Carolina and the Chocolate Drops, but doing her own thing. Louis Michot is holding the fiddle like it grows out of his bicep. He’s led the Lost Bayou Ramblers for decades. Corey Ledet, on accordion, has his own zydeco band and is a champion of and just recorded an album singing in Lousiana Creole, an endangered language. The band also sings in Louisiana French and even that strange tongue, English.
A large man works his way up from the back of the crowd, nervously brandishing a harmonica. He mumbles, “Trust me, I’m gonna rip, trust me…” He reaches the stage and Louis, the Bayou Rambler, looks at him warily.
He waves his harmonica at Louis and says, “Let me get up there. I swear to god, I’ll rip it!” Louis looks at Leyla. Leyla looks at Corey. Louis shakes his head, makes an awkward gesture with his bow hand to indicate we’ve already got something going here. Large harmonica man persists. “I swear I’ll rip it! Let me get up there!”
Louis mouths “Play!” but indicates the man should stay below the stage. The band plays quietly while Harmonica Harry gives it his best shot. He holds that harmonica to his lips and does everything he can with it. His face turns red. He is not convincing. The crowd listens for a moment and then a man next to me yells,
“Naw!”
The crowd laughs, the band shakes their heads, and Harmonica Harry takes it well. “At least I tried,” he says, heading back upstream through the crowd towards the bar.